An Annotated Bibliography of Chinese Film Studies

416 Pages·2004·16.93 MB·English

by  Jim Cheng

An Annotated Bibliography
for Chinese Film Studies
This authoritative reference tool covers monographs, conference proceedings, and theses that relate
to film studies in and about mainland China published between 1920 and 2003. It references basic
information, such as film titles, directors, and actors, as well as a variety of topics in film studies,
such as film history, genres, and technology. Presented comprehensively in English and Chinese,
this bibliography follows an intelligently structured subject scheme, and includes three handy
indexes.
Jim Cheng is Head of International Relations & Pacific Studies Library/East Asian Collection at the
University of California, San Diego.
"Scholars of mainland China film both inside and outside China will consider this to be a
standard bibliographic guide and crucial reference tool for many years to come. ... In my
view, there is really no competing work. ... I can't imagine a serious library anywhere in the
world that would not want a copy."
- Paul Pickowicz, Professor of History, University of California, San Diego
"An Annotated Bibliography for Chinese Film Studies provides an exhaustive list of
bibliographical sources on Chinese cinema in Chinese and Western languages, covering a
period of more than eighty years. This timely, well-researched, and much needed book will
become an indispensable tool of reference to anyone who is interested in Chinese film
studies, a growing area in the field of Chinese and cultural studies."
-Tonglin Lu, Associate Professor, Department of Comparative Literature,
University of Montreal
To my parents, Cheng Xuehui andZou Sineng,
and my wife Kathy Denton.
An Annotated Bibliography
for Chinese Film Studies
• Jim Cheng f§ fit
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HONG KONG UNIVERSITY PRESS
Hong Kong University Press
14/F Hing Wai Centre
7 Tin Wan Praya Road
Aberdeen
Hong Kong
© Hong Kong University Press 2004
ISBN 962 209 703 0
All rights reserved. No portion of this publication may be reproduced or
transmitted in any form or by any means, electronic or mechanical, including
photocopy, recording, or any information storage or retrieval system, without
prior permission in writing from the publisher.
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library.
Secure On-line Ordering
http://www.hkupress.org
Printed and bound by Pre-Press Limited., Hong Kong, China.
Contents
Acknowl edgments ix 2.3.3 Central Documentary Film Studio 48
2.3.4 Changchun Film Studio 48
Introduction xi 2.3.5 Emei Film Studio 49
2.3.6 Manchuria Motion Picture Production and 49
Distribution Co. (Man'ei)
1 Reference Materials li 2.3.7 Xi'an Film Studio 51
2.3.8 Zhu Jiang Film Studio 51
1.1 Bibliographies and Filmographies 1
1.2 Indexes 2
1.3 TV* 4-' 2
p. Specific Film Genres "S
1.4 Directories 5
1.5 Encyclopedias 5 3.1 Silent Films 52
1.6 Handbooks and Manuals 6 3.2 Comedy Films 52
3.3 Opera/Drama Films 53
3.4 Animated Films 54
!2 Film History 8 3.5 Documentary Films 56
2.1 Genera I 8! 3.6 Literary Films 57
3.7 Martial Arts/Kung Fu Films 57
2.2 Special Regions, Periods, and Events 22
3.8 Science and Education Films 58
2.2.1 Lingnan Area (1896-1997) 22
3.9 Suspense Films 59
2.2.2 Beijing (1900-) 22
3.10 War Films 59
2.2.3 Zhejiang Province (1900-1995) 23
3.11. Children's Films 60
2.2.4 Shanghai and Its Foreign Concessions 23
3.12. Underground and Independent Films 60
(1909-)
2.2.5 Republican Period (1912-1949) 26
2.2.6 Manchuria and Man'ei (1932-1945) 28
14. Film Reviews 6l!
2.2.7 Left-wing Film Movement (1933-1935) 30
1
2.2.8 Communist-Controlled (Liberated) Areas 31 4.1 General 61
(1933-1949) 4.2 Individual Film Reviews 71
2.2.9 Sino-Japanese War (1937-1945) 31
2.2.10 Chongqing (1938-1945) 33
2.2.11 Henan Province (1949-1999) 33 |5. Film Theory and Technique 84
i
2.2.12 People's Republic of China (1949- ) 34 5.1 General 84
2.2.12.1 General 34 5.2 Acting 98
2.2.12.2 The Wu Xun Zhuan Incident 36 5.3 Aesthetics 102
2.2.13 Cultural Revolution (1966-1976) 38 5.4 Cinematography 108
2.2.13.1 General 38 5.5 Directing 111
2.2.13.2 The Qing Gong Mi Shi Incident 40 5.5.1 Montage 115
2.2.13.3 The Chuang Ye Incident 40 5.6 Drawing For Animated Film 115
2.2.14 Jiangxi Province (1977-2000) 41 5.7 Dubbing 115
2.2.15 Contemporary Period (1977- ) 41 5.8 Editing 115
2.2.16 Ningxia Area 47 5.9 Film Movements and Theory 116
2.3 Film Institutions and Studios 47 5.9.1 Left-wing Film Movement 116
2.3.1 Beijing Film Academy 47 5.9.2 Socialist Realism 116
2.3.2 Beijing Film Studio 48 5.9.3 Chinese Westerns 116
Contents
5.10 Film Grammar 117 Film Technology 265
5.11 Make-up 117
9.1 General 265
5.12 Music 118
9.2 Digital Moviemaking 268
5.13 Scenery and Setting / Artistic Design 119
9.3 Film Printing and Maintenance 269
5.14 Screenplay Writing 121
9.4 Movie Cameras, Projectors, and Related 269
5.15 Sound Effects 126
Equipment
5.16 Special Effects 126
9.5 Movie Sound Recording 272
9.6 Movie Theater Design 274
9.7 Technical Standards 274
6 Interdisciplinary Studies 127
6.1 General 127
6.2 Comparative Film Study 127 10 Others 275
6.2.1 Films in China, Hong Kong, and Taiwan 127
10.1 Film Advertisements 275
6.2.2 Chinese and Japanese Films 128
10.2 Film Censorship 275
6.2.3 Japanese Image in Chinese Film 128
10.3 Film Copyright 276
6.2.4 Chinese and Soviet Union Films 128
10.4 Film Distribution 276
6.2.5 Chinese and Foreign Films 128
10.5 Film Market 276
6.2.6 Film and Television 129
10.6 Film Festivals and Awards 278
6.3 Film and Anthropology 129
10.7 Film Industry 278
6.4 Film and Culture/Society/Audience 130
10.8 Film Laws, Regulations, and Legal Cases 280
6.5 Film and Drama/Opera 135
10.9 Film Posters 282
6.6 Film and Economy 136
10.10 Film Production and Management 283
6.7 Film and Education 137
10.11 Film Propaganda 285
6.8 Film and Ethnology 138
10.12 Film Songs 285
6.9 Film and Journalism 138
6.10 Film and Literature 138
6.11 Film and Mental Illness 141
Bibliography 293
6.12 Film and Painting 142
6.13 Film and Politics 142
Subject Index 295
6.14 Film and Women 145
Author Index 303
Film Producers, Directors, Actors, Actresses, 147
Title Index 338
Cinematographers, Critics, and Screenplay Writers
(Including Biographies and Autobiographies)
7.1. General 147
7.2. Producers and Directors 150
7.2.1 General 150
7.2.1.1 The Fourth Generation Directors 151
7.2.1.2 The Fifth Generation Directors 151
7.2.1.3 The Sixth Generation Directors 153
7.2.2 Individual Producers and Directors 154
7.3 Actors and Actresses 164
7.3.1 General 164
7.3.2 Individual Actors and Actresses 170
7.4 Cinematographers 189
7.4.1 General 189
7.4.2 Individual Cinematographers 189
7.5 Critics 189
7.6 Screenplay Writers 189
7.6.1 General 189
7.6.2 Individual Screenplay Writers 190
8 Screenplays and Scripts 196
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